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I would argue that "talent" is a skill that can be learned like any other, and honed through practice. This applies to everything we do - sports, art, science, what have you. It all boils down to practice and interest.
People who are good at drawing or painting or sculpting, etc., are good at it because they have spent hours and hours doing it. They have spent hours and hours doing it because it is something they are interested in doing well. When non-artists look at the stuff we do, their response is usually something along the lines of "wow, that's awesome, I wish I could do that." The only thing that is stopping them is the fact that they aren't actually really interested in what we do. They enjoy the results, but not the process, and when/if they try to make art and fail to achieve whatever ideals they had in their mind when they start, they simply assume they are no good at it and give up.
That mentality is a load of hot bullshit. The thing that is lacking is not "talent," it's experience. The more you do a thing, the more practiced you are with a craft, the better you get at it. Nobody is born with an innate gift of composition or uncanny ability to draw a certain kind of line. It's something you work at and build.
If you feel like you are struggling now and that you will never be any good at making art, don't let it stop you from forging ahead. If you are actually interested in getting good, and you have the discipline to a) examine your mistakes to learn how to correct them, b) take criticism objectively, and c) stay focused on your task, eventually you will probably get better. Be patient with the craft and with yourself. You build success on a ladder of failures.
Actual "prodigies" are extremely rare, and the reason that they are prodigies is because they had a period of intense focus on the craft in early, developmental years. For those of us who missed that youthful burst of neural pathway growth, it takes longer to learn and develop these skills.
People who are good at drawing or painting or sculpting, etc., are good at it because they have spent hours and hours doing it. They have spent hours and hours doing it because it is something they are interested in doing well. When non-artists look at the stuff we do, their response is usually something along the lines of "wow, that's awesome, I wish I could do that." The only thing that is stopping them is the fact that they aren't actually really interested in what we do. They enjoy the results, but not the process, and when/if they try to make art and fail to achieve whatever ideals they had in their mind when they start, they simply assume they are no good at it and give up.
That mentality is a load of hot bullshit. The thing that is lacking is not "talent," it's experience. The more you do a thing, the more practiced you are with a craft, the better you get at it. Nobody is born with an innate gift of composition or uncanny ability to draw a certain kind of line. It's something you work at and build.
If you feel like you are struggling now and that you will never be any good at making art, don't let it stop you from forging ahead. If you are actually interested in getting good, and you have the discipline to a) examine your mistakes to learn how to correct them, b) take criticism objectively, and c) stay focused on your task, eventually you will probably get better. Be patient with the craft and with yourself. You build success on a ladder of failures.
Actual "prodigies" are extremely rare, and the reason that they are prodigies is because they had a period of intense focus on the craft in early, developmental years. For those of us who missed that youthful burst of neural pathway growth, it takes longer to learn and develop these skills.
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Foul-ups
What do you do when you feel like you really messed up on a piece?
I'm currently working on the third Star Wars "saint" painting. I am having great difficulty getting the face just right, and I made some kind of mistake during the tracing which screwed up the angle of a long line so that it doesn't match up as it should. I've spent hours and hours on the face, and it's not getting any better, so finally I scrubbed it with turpenol and a paper towel. It's bad enough, though, that I now hate the whole thing and want to set it on fire and start over fresh. I can reuse the canvas for a landscape or something when it eventually dries.
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Man...
In terms of skill, I usually think I'm pretty good. Not great, certainly, and not yet where I want to be, but good enough that I feel encouraged to continue when I look at my finished pieces.
Then I look around at some of the stuff here. And it makes me realize how far I still need to go until I am where I want to be. Some of you guys... holy hell. Phenomenal. You've hit that part of the curve I'm still aiming for, and you make it look way, way easier than it is. Seriously, take a browse through my Favourites folder. Mind = blown.
But I'm not completely discouraged. I've only been painting seriously since July 2012. Experiments seem
Disney Buys LucasFilm
I want to cry, but I'm not sure if it's out of joy or sorrow.
The plan is to make Episode VII for a 2015 release. In 2008, Lucas said straight up that neither he nor anyone else would ever make another Star Wars movie, period. http://en.wikipedia.org/wiki/Star_Wars_sequel_trilogy
"In an interview published in Total Film in May 2008, Lucas also ruled out anybody else ever making the sequel trilogy (or other future Star Wars features). Asked if he was happy for new Star Wars tales to be told after he was gone, Lucas replied: "I've left pretty explicit instructions for there not to be any more features. There will definitely be no Episodes VII
Change of medium?
I'm considering a switch from oils to acrylics. Maybe not a complete switch, but like.. an addition?
I enjoy working with oils. I like it for painting people, where tiny, subtle gradations in skin tone require careful blending. I make lots of tiny little corrections, and a long drying time helps with that.
But for the landscapes I've been doing, I get impatient, and that often ends up having a detrimental effect on the work. I get an idea and I want to do it RIGHTNOW rather than wait 2 days for the linseed oil to polymerize and the turpentine to evaporate. So I'm considering switching to acrylics for the landscape stuff, and sticking with o
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Practice is everything, 2 years ago All I could draw were stickmen.